From March 24 – June 14 South Florida residents will be able to see the “selfie exhibit” at the Boca Raton Museum of Art. Here is a sneak peek at some of the featured artists and more info on the highly -anticipated exhibit
The show was created to commemorate the National Portrait Gallery’s 50th anniversary, celebrating the artists who make the NPG Collection so extraordinary.
Eye to I brings together the work of major artists of the 20th and 21st centuries, and kicks off its national tour at the Boca Raton Museum of Art with an indelible gallery experience sure to fascinate contemporary audiences. The powerful works are from every decade, starting in 1901 and continuing through 2015.
|This traveling exhibition is different from the Smithsonian show that was previously on view in Washington, DC – all of the works on paper are new and were chosen especially for the national tour, as are several of the paintings.|
| “These artists looked inward in ways we can connect with in our modern time. They created a lasting mirror effect for future audiences that most of them could not have foreseen,” said Irvin Lippman, the executive director of the Boca Raton Museum of Art. |
Eye to I showcases 60 works in a variety of styles and media ranging from caricatures to photographs, from colorful watercolors to dramatic paintings and time-based media.
The exhibition traces the process, from gazing into the mirror to looking into the camera; from painted and drawn surfaces to mechanical reproductions such as prints and photographs; from static forms to video.
Chosen as the cover for the exhibition catalogue, Maria Magdalena Campos-Pons used her own body to map out feelings of translocation from place to place. The bilingual title is in half-Spanish and means When I am not Here, I am There.
James A. Porter founded the field of African American art history. He chaired Howard University’s Art Department and directed the university’s art gallery from 1953 until his death in 1970.
He studied in France, Cuba, and Haiti and traveled in West Africa, Egypt, and Brazil. These trips abroad impacted his work, including his self- portrait which conveys the influence of Parisian artists.
Mirror, Mirror; Mulatta Seeking Inner Negress II by Alison Saar. Woodcut on chine-collé (2015). National Portrait Gallery, Smithsonian Institution
“These artists steered self-portraiture away from the traditional poses of the past into new realms of self-reflection. Their self-depictions cut across time through multiple pathways of creating art that ring true today,” adds Irvin Lippman.